Brooks Robertson is een jong fingerpicking talent bujubeld door grote namen in de gitaarwereld.
Na jarenlang persoonlijk les gehad te hebben van Buster B. Jones speelt hij dan ook moeiteloos stukken van Jerry.
Bekijk onderstaande YouTube video’s eens om een goed beeld te krijgen van zijn eigen unieke stijl:
“Jiffy Jam”/”Blue Finger”: http://www.youtube.com/watch?v=A_CCBXjnSNc
“My Gypsy Heart”: http://www.youtube.com/watch?v=EKWN9fznJhc
“Pass The Buck”: http://www.youtube.com/watch?v=43SnhSZ_SDM
Binnenkort zal hij ook in Europa op tournee gaan. Zie voor een overzicht de data onderaan dit bericht.
Brooks Robertson – Funky Fingerstyle Guitar
It’s this remarkable contrast that fascinates audiences around the globe: They see a somewhat shy, introverted young man standing or sitting on stage, while hearing him play the most staggering version of “Cannonball Rag”. Brooks Robertson just doesn’t need much more than two thumbs, eight fingers and six strings on a wooden box to carry his listeners away.
Hailed by prominent exponents of his instrument like Nokie Edwards, Thom Bresh, John Jorgenson and Mason Williams, the young fingerstyle guitarist embodies the creative vision of a postmodern world: It’s the music that counts. Brooks utilizes his superb technical abilities to play bass, rhythm and melody simultaneously and surpass the borders of conventional genres. He merges hauntingly beautiful compositions, country rhythms and jazzy harmonies with funky licks into his very own art form – sometimes delivered with a punch, sometimes with a smile.
Brooks was born in Eugene, Oregon in 1989. Seeing Buster B. Jones perform at a festival near his home town became a life-changing experience for the kid from the sticks. Just eleven years old, he was immediately inclined to pick up the guitar. Soon, the world renowned fingerstyle virtuoso and instructor dedicated his spare time to introducing his new fan into the secrets of the fretboard, and after six months of lessons the natural talent performed his first show with his mentor.
When Buster B. Jones took him under his wings, Brooks began playing high-profile gigs such as the Nokie Edwards Festival, the NAMM Show in Anaheim, the Montreal Jazz Festival or the Walnut Valley Festival in Winfield among others. By the time he was a teenager he had become the youngest endorsee of Godin Guitars and traveled to several states and foreign countries to perform. Brooks went on to play on Garrison Keillor’s radio classic “A Prairie Home Companion” in 2004, where he won first place in a talent competition for 12 to 20 year old participants.
In recent years, while still appearing regularly at prestigious events like the Chet Atkins Appreciation Society (CAAS) Convention in Nashville, Brooks focused on perfecting his craft, soaking up new tunes and styles and techniques as well as blending them into his own groovy and soulful original music. He entered the “Yamaha Six String Theory Guitar Competition”, which drew participants from more than 40 countries all over the world. Brooks was invited to perform in the finals at the Broad Stage in Los Angeles in March 2010. A star-studded jury, including Steve Lukather and Lee Ritenour, eventually chose him as winner of the country category and second place winner overall.
Although he is deeply rooted in the powerful tradition of the genre, founded by the likes of Merle Travis, Jerry Reed, Thom Bresh and Buster B. Jones, Brooks also draws inspiration from the elegant mastery of the legendary Chet Atkins and other phenomenal players. His own compositions and arrangements have even been compared to fingerstyle jazz champions Lenny Breau and Earl Klugh. Now, as energy and maturity come together, this young man is ready to step out of his mentors’ shadows and electrify the world with the sheer acoustic beauty his fingers create, when touching a set of strings.
People on Brooks
“I was completely knocked out with the acoustic guitar virtuosity of Brooks Robertson! Brooks has a very original touch and sound plus monster chops. He’s always making great music with his guitar. I’m sure Brooks will be sharing his music with the entire world and have an incredible career.”
Lee Ritenour (Grammy award winning guitarist)
“He is slicker than a cat on a greased pole.”
Nokie Edwards (The Ventures, Rock and Roll Hall of Fame)
“Brooks Robertson plays like the house is on fire.”
Thom Bresh (legendary thumbpicker)
“Brooks Robertson is well-equipped to carry on the legacy of Buster B Jones’ powerful and funky guitar style. Any player would be very proud to have such an accomplished guitarist as a protégé. Brooks’ personal playing and composing style is equally compelling, as audiences around the world are finding out. The solo guitar’s future is in good hands with players like Brooks out there!”
John Jorgenson (Elton John, Desert Rose Band, Hellecasters)
“All guitar players are like Frankensteins. Their music is made out of bits and pieces of other players. In Brooks’ case, he’s a son of a Frankenchops, the well known monster picker Buster B. Jones. Buster and Brooks are both so scary … the legend continues.”
Mason Williams (“Mr. Classical Gas”)
“Brooks Robertson is a superb and exciting guitarist. I love his playing!”
Pat Bergeson (Chet Atkins, Jerry Reed, Lyle Lovett, Madeleine Peyroux)
“Brooks Robertson has one of the very best techniques in fingerstyle guitar. You can hear the influences of Buster B. Jones, Jerry Reed, and all the great fingerpickers past … and he’s writing some fabulous new material. An amazing guitar player who’s showing the rest of us how it’s done! Nobody whops Brooks Robertson!”
Richard Smith (fingerstyle virtuoso)
“Brooks Robertson’s playing is wonderful, rhythmically precise, harmonically complex and melodically compelling. How he controls all three simultaneously, blending them into something musically engaging, is remarkable. He’s a gem.”
Neil Andersson (Pearl Django)
Friday, March 9th, 20:00
Saturday, March 10th, 20:00
Double bill with Soenke Meinen – http://www.soenkemeinen.com/
Sunday, March 11th, 15:00-18:00
3 hour Funky Fingerstyle Guitar Workshop for people with a solid guitar background and first fingerstyle experiences as well as intermediate fingerstyle guitarists. Contents will be checking the basics, learning traditional right hand techniques such as rhythm patterns and rolls and how to manipulate them to use them in a sort of “outside-the-box” way, especially with rolls, double and cross picking. This leads to the specific rhythmic and percussive approach of fingerstyle guitar people like Jerry Reed and Buster B. Jones were known for. The left hand will be addressed primarily by learning the “CAGED” system. A method of taking five (C, A, G, E, D) basic first position (open) chord forms and using a barré to shift those forms around the entire neck. The basic idea is to be able to navigate the entire neck, playing a variety of chord qualities and voices with only needing to initially know a minimum number of chord forms. This method can be valuable for accompaniment and soloing. Due to a limited number of participants, please register for this workshop in advance at the venue.
Tuesday, March 13th, 20:30
Jazzclub im Steinhäuser Hof
67433 Neustadt an der Weinstrasse
Wednesday, March 14th, 20:00
Thursday, March 15th, 21:00
Innerer Graben 22
Saturday, March 17th, 20:00
Sunday, March 18th, 22:00